Includes insert with photos and extensive information. Edition of 300 copies.
Includes unlimited streaming of Música para cinta magnética (+) instrumentos (1967-1989)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 5 days
$27.99USDor more
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Mesías Maiguashca: Música para cinta magnética (+) instrumentos (1967-1989) (Mesías Maiguashca: Music for magnetic tape (+) instruments 1967-1989)
Mesías Maiguashca is a relevant figure on the map of contemporary avant-garde composers. Born in Ecuador but currently based in Germany, he has been a composer who, since the 60s, would constantly expand his possibilities in fields such as electronic music (where he stands out as a pioneer), mixed works, expanded interdisciplinary pieces and the creation of unconventional instruments, where the encounter between his country of origin’s popular folkloric tradition and the new European music has produced a universe of tension, as fascinating as it is startling.
Mesías Maiguashca: Música para cinta magnética (+) instrumentos (1967-1989) presents for the first time a sample of the essential work of Maiguashca, covering a period that goes from 1967 to 1989. This is the first of a new collection, a new series of albums that seeks to document the extensive recorded work of Maiguashca, with pieces that date from the mid-60s to the present. This first release is a good introduction to understand the various aesthetic options developed by the artist throughout his career. It includes his historical pieces of electronic music, such as "El mundo en que vivimos" (1967) or "Ayayayayay"(1971), which are early references for electronic music in Latin America, and also mixed pieces, such as "Intensidad y altura" (1979) for six percussionists and magnetic tape, "The wings of perception" (1989) for a string quartet and tape, and "Nemos Orgel" (1989) for organ and magnetic tape.
As the critic Fabiano Kueva has pointed out: “During six decades of musical creation, Maiguashca has outlined diverse aesthetic axes, raising questions about the aural experience and generating a sound flow, a permanent oscillation between Latin America and Europe. Therefore, the blend of Western and non-Western concepts, techniques and timbres, the literary references or the historical approach are perceived as a complex gesture that reveals the tensions, the memories, the place of the artist.”
Mesías Maiguashca studied at the Quito Conservatory, the Eastman School of Music (Rochester, N.Y.), the Di Tella Institute (Buenos Aires) and the Musikhochschule Köln (Cologne). He has made recordings at the WDR music studio (Cologne), Center Européen pour la Recherche Musicale (Metz), the IRCAM (Paris), the Acroe (Grenoble) and the ZKM (Karlsruhe). In 1988, together with Roland Breitenfeld, he founded the K.O.Studio Freiburg, a private initiative for the cultivation of experimental music. He has been living in Freiburg since 1996.
Mesías Maiguashca: Música para cinta magnética (+) instrumentos (1967-1989) is released as a double vinyl LP, in a limited edition of 300 copies, including photos and detailed information on the pieces. Liner notes by Mesías Maiguashca and Fabiano Kueva. Mastering: Alberto Cendra at Garden Lab Audio. Desing by Martín Escalante. Project carried out thanks to the Ibermúsicas fund.
supported by 13 fans who also own “Música para cinta magnética (+) instrumentos (1967-1989)”
With the entanglement and interaction of noise and musical tone, we seem to have traveled through the jungle infested by ghosts, and witnessed a new universe being reborn in this strange chaos and harmony. Through this recording, Jim O’Rourke reconstructed the order of sound in a sense. alain.proust
supported by 13 fans who also own “Música para cinta magnética (+) instrumentos (1967-1989)”
This piece is maybe one of Roland Kayn's most purely blissful ones, with deep, slowly shifting multi-layers of sound and an almost atmospheric sense of space and drift. It transports me, much like the title Derek Walmsley
supported by 12 fans who also own “Música para cinta magnética (+) instrumentos (1967-1989)”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
A glimmering ambient suite from Swedish composer Tomas Nordmark draws connections between the NYC avant-garde scene and classic film scores. Bandcamp New & Notable May 5, 2021
Beautiful, elegantly wrought instrumentals with the grace and delicacy of slowcore mark the latest from James Schroeder. Bandcamp New & Notable Sep 28, 2020
supported by 12 fans who also own “Música para cinta magnética (+) instrumentos (1967-1989)”
Blue taps directly into our hearts, transforms and takes us to that sacred non-verbal space where all the best of music and art and life lives. Gloriously generous solo piano + so many more wonderful surprises + compositions here: the "Driver's Son" ensemble performances in Brooklyn & Philly, "Songs From Aphasia" spoken word, electronics "He Was Here" and Ned Sublette's great take on "Double Life" leaving us with a final generous detour into positivity and love with "The Forecaster Hopes" 2019 Pete Dako